Currently viewing the tag: "Rap"

Gucci Mane’s release from prison was widely celebrated by rap fans the world over. The news of his release spread quick and true to form Gucci already released a new track ‘First Day Out the Feds’. His career has not been without it’s share of controversy but through it all he’s been one of the most prolific and influential rap artists of our time. You’d be hard pressed to name a producer or artist he hasn’t worked with at this point. A great primer on his life story is this FADER piece that was released last year.

As a fan of his music I am glad to see that he’s getting so much love. This mix is a tribute to Guwop and features many of my favorite Guwop tracks to date. Listen to it on Soundcloud below or click through directly to it.

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Made a quick mix of some newer rap I’ve been feeling. This that get flick ya wrist music just in time for Spring.

Click through for tracklist

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Video shot and edited by Goodwin Cities Aviv (Gavin Mays) is a musician who defies easy categorization. His lyrical content fluctuates between braggadocios and contemplative; his voice set to raw. spacy production that sits miles apart from most contemporary rap . Meeting him it’s clear that Cities is at once a product of his environment and also someone who defies it. I met Gavin around the time of his Black Pleasure mixtape releases on the PTP radio show Fresh out the Box. I remember hearing his tracks and interview and appreciating his left field approach to music making. Nearly a year later I had the chance to interview Cities. I spoke to him about his Memphis roots, his personal style and his continued desire to be different from everyone else. The interview is spliced with visuals from an afternoon aimlessly roaming Chinatown. Special thanks to Goodwin for killing it on editing and shooting the video. Be sure to check out Cities’ new release URL IRL off his forthcoming album Come To Life. You can Cities Aviv on twitter for more updates. See accompanying photos of Cities after the jump

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Source: Jordan Nicholson Flickr

Kanye West embarked on the first show of his YEEZUS tour last night and from first-hand accounts the experience was pretty insane. The above photos are by Jordan Nicholson and really capture the scale of the show (How crazy does that manmade mountain look?). I’ve seen Kanye live 4 times now and I have to say his live show never disappoints. I’m happy to see that he re-invents his stage presence each tour and he really gives fans their month worth. I can’t wait to see what goes down when I see him at Barclay’s next month.

 

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Seems like Killa Cam is poppin up everywhere in New York today. From the ALIFE posters pasted all over the city to countless apartments blasting the just released (and better than expected) Ghetto Heaven Vol.1 mixtape. Mysterious producer MONEYDVNCE took this moment to drop a timely PTP-exclusive remix of the classic Get ‘Em Girls. Not much is known about the guy except rumors that he has been become increasingly reclusive. The last I hear he was hiding out in a bando in Bolivia.

Being one of the hardest songs Cam has put out in his lengthy rap career, I had no idea how this was going to be sonically flipped. What I heard was a complete re-work of the beat that will keep your computer ‘putin.  Cinematic drums are laid over a heavy methodical bass line. This sounds like a Mortal Kombat stage in the projects. This sounds like Predator’s spaceship landing in Shaolin. Go learn yourself a town and use this as your soundtrack.

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Ten years before Yeezus, the self-appointed Louis Vuitton Don was photographed for the cover of The Fader’s Inaugural ‘Now’ issue. These previously unreleased photos are outtakes from that shoot with Hip-hop photographer Jonathan Mannion (who famously photographed Jay-Z’s cover for Reasonable Doubt). Jonathan reflects on the experience of meeting and photographing Yeezy that day:

“At that point Kanye was already building his legacy. Already at that point all eyes were on him. Cause even before dropping that first album, he’d claimed it, he wasn’t accepting no for an answer. I think The FADER showed a lot of foresight by saying, Okay, you’re our guy, you’re on the cover, let’s go.

Kanye styled himself that day, there wasn’t a stylist. I remember he wanted props, things that represented his style. A Louis Vuitton bag showed up and he told a story, “I tried to get a bunch of Louis stuff and they wouldn’t send it to me, so I just bought it.” Whether it was that bag he bought or a big clump of Louis Vuitton luggage he wanted to stand on, he wanted it to be LV to show what he appreciated. I remember his “If I want it, I’m just gonna get it” attitude. The brick phone he’s holding in some of these dates the photos, but there’s nothing else about these to make them seem like they weren’t taken yesterday. I’m sure that phone, at that time, was the freshest, greatest, nobody had it. It was always about being ahead of the competition. His style then was impeccable and there’s nothing about it that wouldn’t apply today.”

New Yorkers can check out an exhibition of Mannion’s poloroid work entitled ‘Rough around the Edges’ at Milk Studios from Jun 18th to July 7th. The opening reception is tomorrow from 7PM-10PM.

Images via The Fader

 

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2013 has been a big year for Rome Fortune. Coming out the Atlanta scene he’s built up significant buzz with his ‘Beautiful Pimp’ mixtape. Frequent collaborators C4 and Childish Major have been lacing him with experimental instrumentals that compliment his effortless laid-back delivery. He was a feature on the recent Gucci Mane joint ‘Stripes’ and just ripped a set alongside PTP family Gila Monster at 285 Kent in Brooklyn.

Outside of his music prowess, Rome is someone you’ll always see expressing his personal style through his clothing choices. When we first met, he told me that he had been a fan of Third Looks for some time, so it’s nice to bring things full circle with this feature. Rome and I had a conversation that touches on hip-hop style, girls and world rap domination.

Be sure to check the brand video for his single ‘Get the Guap” HERE and click through to read the interview.

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I read the clickbait-y ‘Can an Asian Woman Be Taken Seriously in Rap?‘ article on The Cut introducing Awkafina. Government name Nora Lum, she is a New York based rapper/producer who I was going to write off due to the comparison to Childish Gambino (Who I can’t cosign under any circumstances).

After giving a few of her songs a listen , particularly the infectious NYC Bitche$, I was impressed by her ability to nail life in New York in 2013. It’s this type of witty cultural commentary that sets her apart from what other MCs are doing.

“Bitches be in Bushwick, they all live in Bushwick, they all love Bushwick, but I say fuck that shit”

“Pull over by the “burg, hipster pussy market. Feeding on the vegans despite the smell of armpits, the skinny ones an artist , it’s obvious they starving, your shit art don’t pay bills , it eats ramen”

Awkwafina is one to watch right now but it’ll be interesting to see how her sound develops in the coming months.

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Hefna Gwap is a rapper from East Palo Alto california. Founder of the Elegant Caviar Group and a Smokers Club member, he made the move from the Bay to New York last year to push his music to the next level. I caught up with Hef at a recording session late last week at Premier Studios.

How was the whole process of moving to New York? What brings you here?

First off, I have two daughters. Everything I rap about I was doing it. I was selling dope and running in houses and robbing and shit. I had my first daughter (she’s two now). When I had my second daughter, it was a wake-up call. Alot of my close friends started getting killed or going to jail. Alot of people I shot videos for, alot of the people I was editing videos for got killed. Some of the people’s videos I was editing , they got killed right after I moved to New York in October. I was happy to leave, I did alot and I didn’t want to do that type of shit any more.

See the rest of the feature after the jump

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I took these snaps of the legend Project Pat at the Snack Dragon in Williamsburg hours before he performed at a packed Santo’s Party House Tuesday. It was an honor to hear some of Pat’s stories from his career. I’m happy to report that he’s definitely a rap OG who is approachable, humble and genuine.

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