From the monthly archives: March 2012

dries ss12 Season of Prints   Dries Van Noten SS2012 Womens

I have always been one to appreciate a beautifully designed print. One of the masters of color and print is Dries Van Noten. In this dreamy editorial dresses, tops and skirts from the Belgian designer’s Spring/Summer collection are captured against washed-out pastel backdrops.

See the entire editorial on Honeyee.

photography: Ariko Inaoka
styling: Yuta Kaji
hair: Kazuya Matsumoto(FEMME)
make-up: Masayo Tsuda
model: YiRan

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The concept behind ‘It Girls’ has been in my head for some time. ‘It Girls’ are free-thinking, charismatic and stylish girls who unabashedly live life. Third Looks aims to  bring these dynamic individuals to the forefront and document a point in their lives.

It Girls’ will be a regular feature on Third Looks profiling  girls who if you haven’t heard of yet, you soon will.

The first ‘It Girl’ I am featuring is my friend Alyssa. We met at a apartment party I threw about two years ago and we’ve become good friends since. In that period I’ve watched her go from New School undergraduate student to the assistant of Amy Astley (Editor-in-Chief of Teen Vogue) and the contributors editor at the magazine. Her ambition and fierce independence are balanced by her disarming cheerful personality and quirky sense of humor. I’ve titled my shoot Brooklyn Spring as the fresh air and warm sun perfectly reflected the changing season.

I have always respected Alyssa’s ability to wear clothes her own way without regards to the trends of the moment. Having often commented that she loves my wardrobe and many men’s pieces in general, I decided to style her in some pieces from my personal wardrobe. When asked about her personal philosophy on style , she told me

“I think clothes have little to do with fashion– and almost nothing to do with style. It’s not a radical statement: style is innate. If clothes weren’t a social necessity, I probably wouldn’t wear them at all.”

You can find Alyssa on Twitter.

itgirl2 It Girl No.1   Alyssa Brooklyn Spring

itgirl8 It Girl No.1   Alyssa Brooklyn Spring

Undercoverism Rider Leather Jacket
Vintage Floral Dress (Alyssa’s own)

itgirl3 It Girl No.1   Alyssa Brooklyn Spring
Supreme Camo Field Shirt
‘Internet Fame’ White T-shirt

itgirl4 It Girl No.1   Alyssa Brooklyn Spring

Supreme ‘Metal-Plate’ Snapback
Supreme Paisley French Terry Hoody

itgirl5 It Girl No.1   Alyssa Brooklyn Spring
Undercover x Uniqlo UU Cardigan
Number (N)ine ’9-Lives’ T-shirt

itgirl6 2 It Girl No.1   Alyssa Brooklyn Spring

itgirl6 1 It Girl No.1   Alyssa Brooklyn Spring

Undercover x Uniqlo UU Hooded Blouson Jacket
Undercoverism Knit Sweater
J Brand Jeans (Alyssa’s own)
Supreme leopard backpack
Nike Free 2.0(Alyssa’s own)

Sole Bike

See more photos from this shoot on the Third Looks Tumblr page.

Photography & Styling by Rocky Li

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juntakahashi1 Jun Takahashi Explains his Collaboration with Uniqlo

Previously Jun Takahashi had famously stated that he would never collaborate with a fast fashion retailer which pushed a system that he fundamentally disagreed with. Since then he has had a public change of heart when he agreed to create clothes for Japanese fast fashion giant UNIQLO. The UU collection has divided fans of Undercover. Some deriding the collaboration as a cash grab and others applauding the ability for Jun’s design sensibilities to reach a greater audience. Jun Takahashi spoke out and explained his rationale for working with UNIQLO on his blog on honyeee.

My thoughts on teaming up with UNIQLO

Since the announcement of this project, I have heard a lot of opinions, both pro and con. Some say they can’t make heads or tails out of UNIQLO’s intention in partnering with UNDERCOVER, and others say they are expecting to see something truly innovative come out of this collaboration of polar opposites. It is only natural to think that opinions would be divided.

More than a year ago, when I first heard this talk, I questioned this project; to be honest, my first thought was “Why us?” It may be my personality, but at the same time, I felt a combination of apprehension and curiosity. At first, just to satisfy my curiosity, I wanted to hear from the people in charge who were really passionate.

Talks began with the reason for the request from UNIQLO, “We want the creations for the Japanese to reach people around the world.” To which I replied, “What should I do?” “What can we accomplish?” “Do we have anything in common, and if so what?” As I asked these questions I found myself gradually becoming interested in this project. We had several more discussions, as a result of which, an idea popped up almost simultaneously from both sides: “clothes for mom, dad and the children; clothes for the family.” We had found our common ground.

As far as children’s clothing is concerned, as UNDERCOVER announced some 10 years ago, because we were unable to balance production volume and cost, we had to sadly give up. My wife, RICO, did the designing. RICO is really fabulous at creating children’s clothes. One of the main reasons why I decided to do this project and resume making children’s clothes was the fact that the line had so many fans. Another big reason was that I wanted to offer our creations to people who until now had never heard of UNDERCOVER. In this regard, we have a bigger footprint than other brands. It would be a wonderful thing to have many people wearing the clothes I had designed. Price-wise and design-wise UNDERCOVER clothing was not for everyone, but now it could be.

That said, if I made such clothes with strong design elements that I have always done, this collaboration would never have come about. The basic idea of Uniqlo is “low priced products everyone can wear.” The role of UNDERCOVER is to add a little spice to that basic principle. You might say that adding a “spoonful of spice” is what this project is all about.

Some people might say that this project is not what UNDERCOVER is about; then again others might say it’s “just right.” Everyone has their opinion, so there are of course going to be pros and cons. The results of my spoonful of spice on our collaboration can be seen on the “uu” site and in our catalog. Designs recognizable by everyone. I thought at that time, what design can I infuse in basic clothing? It’s not going to work if you add too much or remove too much. Where do you stop? The first season was in a manner of speaking a series of trials and errors. The selection of fabrics and colors, cost vs. design, how to stay balanced and edgy. It meant using a totally different headset than before to design clothes for uu that are completely different from UNDERCOVER. It was a really difficult task.

Now all the designs for the second season have been finished. For me, in the second season I was able to finally get a feel for the shape of this collaboration. Last week, we already held the second season individual color sample approval meeting. (The approval meeting is where all the key members of the project, starting with President Yanai, meet to hear an explanation of the new products.) After running through the product descriptions, President Yanai said, “Truly amazing, I’m really impressed!” Looking at the second season, it seemed to me that President Yanai could see the part UNDERCOVER had played in the collaboration. At that moment I felt the question “What should I do for Uniqlo?” was clearly answered. It would appear my idea to “add a spoonful of spice” had been accepted. (I don’t know if 100%, but I just might ask President Yanai the next time I see him).

Whether or not this collaboration will continue in the future has not been decided yet, but in any case a new page in my life has been written. As always, I try my best and never cut corners.

A new endevor for a new era.

A project only UNDERCOVER can undertake.

“We offer families something positive in these tough times.” That is the thinking behind uu designs. I sincerely hope your family enjoys our clothes.

JUN TAKAHASHI

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